{"id":69707,"date":"2025-01-08T00:32:19","date_gmt":"2025-01-07T23:32:19","guid":{"rendered":"https:\/\/www.infokuryr.cz\/n\/?p=69707"},"modified":"2025-01-07T14:18:34","modified_gmt":"2025-01-07T13:18:34","slug":"medialni-kontrola-vnimani-a-chovani-lidi-zacala-pred-stoletim","status":"publish","type":"post","link":"https:\/\/www.infokuryr.cz\/n\/2025\/01\/08\/medialni-kontrola-vnimani-a-chovani-lidi-zacala-pred-stoletim\/","title":{"rendered":"Medi\u00e1ln\u00ed kontrola vn\u00edm\u00e1n\u00ed a chov\u00e1n\u00ed lid\u00ed za\u010dala p\u0159ed stolet\u00edm"},"content":{"rendered":"
<\/div>\n
\n
\n

Mechanismus ovl\u00e1d\u00e1n\u00ed lid\u00ed prost\u0159ednictv\u00edm m\u00e9di\u00ed, film\u016f a hudby za\u010dal v roce 1908 spole\u010dnost\u00ed Thomas Edison’s Motion Picture Patents Company.<\/span><\/strong><\/p>\n

Po Edisonov\u011b p\u0159\u00edkladu vznikly velk\u00e9 instituce jako Rockefellerova a Fordova nadace, kter\u00e9 ovliv\u0148ovaly l\u00e9ka\u0159sk\u00e9 znalosti prost\u0159ednictv\u00edm ud\u011blov\u00e1n\u00ed strategick\u00fdch grant\u016f a p\u0159isp\u011bly k v\u011bt\u0161\u00ed architektu\u0159e soci\u00e1ln\u00ed kontroly.<\/span><\/strong><\/p>\n

Zat\u00edmco operace Mockingbird CIA ovlivnila ve\u0159ejn\u00e9 vn\u00edm\u00e1n\u00ed prost\u0159ednictv\u00edm m\u00e9di\u00ed, britsk\u00e1 MI6 sama vyvinula metody kontroly mysli, p\u0159i\u010dem\u017e d\u016fle\u017eitou roli sehr\u00e1l Tavistock Institute, z nich\u017e n\u011bkter\u00e9 vedly k tomu, \u017ee se staly z\u00e1kladn\u00edmi algoritmy platforem soci\u00e1ln\u00edch m\u00e9di\u00ed, jako je Facebook.<\/span><\/strong><\/p>\n

V t\u0159\u00edd\u00edln\u00e9 s\u00e9rii cht\u011bl Joshua Stylman zviditelnit skryt\u00e9 syst\u00e9my vlivu, aby dal ostatn\u00edm mo\u017enost rozpoznat manipulaci a odolat j\u00ed. Jeho s\u00e9rie zkoum\u00e1 z\u00e1kladn\u00ed kontroln\u00ed syst\u00e9my zaveden\u00e9 na po\u010d\u00e1tku 20. stolet\u00ed, zkoum\u00e1, jak se tyto metody vyv\u00edjely prost\u0159ednictv\u00edm popul\u00e1rn\u00ed kultury a kontrakulturn\u00edch hnut\u00ed, a analyzuje, jak byly tyto techniky automatizov\u00e1ny a zdokonalov\u00e1ny digit\u00e1ln\u00edmi syst\u00e9my.<\/span><\/p>\n

N\u00e1sleduj\u00edc\u00ed text je parafr\u00e1z\u00ed z prvn\u00edho d\u00edlu. Cel\u00fd Stylman\u016fv \u010dl\u00e1nek v anglick\u00e9 verzi si m\u016f\u017eete p\u0159e\u010d\u00edst <\/span>ZDE<\/span><\/a>\u00a0, druh\u00fd d\u00edl\u00a0<\/span>ZDE<\/span><\/a>\u00a0a t\u0159et\u00ed\u00a0<\/span>ZDE<\/span><\/a>\u00a0.<\/span><\/p>\n

Technick\u00e1 kontrola: stolet\u00ed kulturn\u00ed kontroly<\/strong><\/span><\/h3>\n

V roce 2012 provedl Facebook tajn\u00fd experiment na 689 000 u\u017eivatel\u00edch, kdy manipuloval s jejich zpravodajsk\u00fdmi kan\u00e1ly, aby zkoumal, jak zm\u011bny v obsahu ovliv\u0148uj\u00ed jejich emoce. Tato drsn\u00e1 zkou\u0161ka byla jen ochutn\u00e1vkou toho, co m\u011blo p\u0159ij\u00edt. V roce 2024 budou algoritmy pou\u017eity k ovlivn\u011bn\u00ed nejen toho, jak se c\u00edt\u00edme, ale tak\u00e9 toho, co si mysl\u00edme, \u017ee si m\u016f\u017eeme myslet.<\/span><\/p>\n

Platformy soci\u00e1ln\u00edch m\u00e9di\u00ed jsou nyn\u00ed schopny p\u0159edv\u00eddat a m\u011bnit chov\u00e1n\u00ed v re\u00e1ln\u00e9m \u010dase, streamovac\u00ed slu\u017eby automaticky a nep\u0159etr\u017eit\u011b upravuj\u00ed na\u0161i kulturn\u00ed spot\u0159ebu a digit\u00e1ln\u00ed platebn\u00ed syst\u00e9my sleduj\u00ed ka\u017edou jednotlivou transakci. To, co za\u010dalo jako jednoduch\u00e1 emo\u010dn\u00ed manipulace, se stalo plnohodnotnou kontrolou mysli. Tato s\u00edla utv\u00e1\u0159et lidsk\u00e9 vn\u00edm\u00e1n\u00ed nevznikla p\u0159es noc.<\/span><\/p>\n

Kulturn\u00ed kontroly byly budov\u00e1ny v pr\u016fb\u011bhu stolet\u00ed a vyv\u00edjely se od fyzick\u00fdch monopol\u016f Thomase Edisona k dne\u0161n\u00edm neviditeln\u00fdm digit\u00e1ln\u00edm \u0159et\u011bzc\u016fm. Pochopen\u00ed t\u011bchto historick\u00fdch z\u00e1klad\u016f je z\u00e1sadn\u00ed pro to, abychom odolali algoritmick\u00e9 kontrole mysli.<\/span><\/p>\n

Zalo\u017een\u00ed spole\u010dnosti Motion Picture Patents Company v roce 1908 Thomasem Edisonem polo\u017eilo z\u00e1klady pro stolet\u00ed systematick\u00e9ho vlivu a identifikovalo p\u011bt kl\u00ed\u010dov\u00fdch mechanism\u016f kontroly: kontrola infrastruktury, kontrola distribuce, pr\u00e1vn\u00ed r\u00e1mec, finan\u010dn\u00ed tlak a definice legitimity.<\/span><\/p>\n

Tyto mechanismy se vyv\u00edjely nap\u0159\u00ed\u010d pr\u016fmyslov\u00fdmi odv\u011btv\u00edmi a epochami a staly se sofistikovan\u00fdmi n\u00e1stroji pro manipulaci ve\u0159ejn\u00e9ho v\u011bdom\u00ed a kontrolu hranic mo\u017en\u00e9ho my\u0161len\u00ed a vyj\u00e1d\u0159en\u00ed.<\/span><\/p>\n

Po\u010d\u00e1tek 20. stolet\u00ed<\/span><\/h3>\n

Po\u010d\u00e1tek 20. stolet\u00ed byl sv\u011bdkem bezprecedentn\u00edho sbli\u017eov\u00e1n\u00ed koncentrovan\u00e9 kontroly nap\u0159\u00ed\u010d sektory, s rozpu\u0161t\u011bn\u00edm Edison Trust v roce 1915, co\u017e vedlo ke konsolidaci moci do oligarchie studi\u00ed, kter\u00e1 mohla koordinovat kontrolu nad obsahem a zas\u00edl\u00e1n\u00edm zpr\u00e1v.<\/span><\/p>\n

K\u00f3d v\u00fdroby filmu, Hays\u016fv k\u00f3d, p\u0159edstaven\u00fd v roce 1934, uk\u00e1zal, jak m\u016f\u017ee mor\u00e1ln\u00ed panika ospravedlnit systematickou kontrolu obsahu. \u0158\u00eddil obsah prezentovan\u00fd na pl\u00e1tn\u011b a nastavil \u0161ablonu pro manipulaci s p\u0159\u00edb\u011bhy, kter\u00e1 p\u0159etrv\u00e1v\u00e1 v digit\u00e1ln\u00edm v\u011bku, podobn\u011b jako Edisonova kontrola distribuce film\u016f.<\/span><\/p>\n

Po\u010d\u00e1tek 20. stolet\u00ed byl sv\u011bdkem neb\u00fdval\u00e9 byrokratick\u00e9 konvergence ve v\u0161ech oblastech, v\u010detn\u011b medic\u00edny, m\u00e9di\u00ed, vzd\u011bl\u00e1v\u00e1n\u00ed, financ\u00ed, z\u00e1bavy a v\u011bdeck\u00e9ho v\u00fdzkumu, p\u0159i\u010dem\u017e hlavn\u00ed nadace, jako jsou Rockefellerova a Fordova nadace, hr\u00e1ly z\u00e1sadn\u00ed roli p\u0159i utv\u00e1\u0159en\u00ed priorit akademick\u00e9ho v\u00fdzkumu a pou\u017e\u00edvan\u00fdch metod spole\u010densk\u00fdch v\u011bd. roli.<\/span><\/p>\n

John D. Rockefeller zopakoval Edison\u016fv p\u0159\u00edklad v medic\u00edn\u011b t\u00edm, \u017ee kontroloval infrastrukturu, distribuci, pr\u00e1vn\u00ed r\u00e1mec, finan\u010dn\u00ed tlaky a definici legitimity a \u00fa\u010dinn\u011b kontroloval, co tvo\u0159\u00ed legitimn\u00ed znalosti v oboru.<\/span><\/p>\n

Dal\u0161\u00ed \u010dten\u00ed: The Information Factory: How Real is Made, Joshua Stylman, 12. listopadu 2024<\/span><\/p>\n

Soukrom\u00e9 nadace vytvo\u0159ily a udr\u017eovaly uzn\u00e1van\u00e9 r\u00e1mce pro porozum\u011bn\u00ed spole\u010dnosti prost\u0159ednictv\u00edm strategick\u00fdch grant\u016f a institucion\u00e1ln\u00ed podpory, staly se mocn\u00fdmi str\u00e1\u017eci p\u0159ijateln\u00fdch znalost\u00ed a roz\u0161i\u0159ovaly Rockefeller\u016fv l\u00e9ka\u0159sk\u00fd model do \u0161ir\u0161\u00ed intelektu\u00e1ln\u00ed sf\u00e9ry.<\/span><\/p>\n

Toto administrativn\u00ed uspo\u0159\u00e1d\u00e1n\u00ed vytvo\u0159ilo vz\u00e1jemn\u011b propojen\u00e9 syst\u00e9my pro kontrolu fyzick\u00e9 reality i ve\u0159ejn\u00e9ho v\u011bdom\u00ed, p\u0159i\u010dem\u017e ka\u017ed\u00e1 \u010d\u00e1st p\u0159isp\u011bla ke komplexn\u00ed architektu\u0159e soci\u00e1ln\u00ed kontroly, od Edisonovy kontroly vizu\u00e1ln\u00edch m\u00e9di\u00ed p\u0159es Rockefellerovu definici l\u00e9ka\u0159sk\u00fdch znalost\u00ed a\u017e po pen\u011b\u017en\u00ed kontrolu Feder\u00e1ln\u00edho rezervn\u00edho syst\u00e9mu.<\/span><\/p>\n

P\u0159etvo\u0159en\u00ed glob\u00e1ln\u00ed role Ameriky<\/span><\/h3>\n

S\u00edla tohoto konvergentn\u00edho syst\u00e9mu byla poprv\u00e9 ve velk\u00e9m m\u011b\u0159\u00edtku demonstrov\u00e1na p\u0159i p\u0159etv\u00e1\u0159en\u00ed glob\u00e1ln\u00ed role Ameriky, kdy se vypr\u00e1v\u011bn\u00ed o americk\u00e9m \u201eizolacionismu\u201c objevilo jako hlavn\u00ed vliv na ve\u0159ejn\u00e9 pov\u011bdom\u00ed a p\u0159etv\u00e1\u0159elo projekci americk\u00e9 moci prost\u0159ednictv\u00edm bankovn\u00edch s\u00edt\u00ed, korpor\u00e1tn\u00ed expanze a d\u011blov\u00fdch \u010dlun\u016f. diplomacie.<\/span><\/p>\n

P\u0159evzet\u00ed velk\u00fdch novin JP Morgan pomohlo vytvo\u0159it tento narativn\u00ed r\u00e1mec, zat\u00edmco operace Mockingbird, program americk\u00e9 \u00dast\u0159edn\u00ed zpravodajsk\u00e9 slu\u017eby (CIA), formalizovala vliv zpravodajsk\u00e9 komunity na ve\u0159ejn\u00e9 vn\u00edm\u00e1n\u00ed prost\u0159ednictv\u00edm zd\u00e1nliv\u011b nez\u00e1visl\u00fdch medi\u00e1ln\u00edch kan\u00e1l\u016f.<\/span><\/p>\n

Stejn\u00e9 principy narativn\u00ed kontroly plat\u00ed i dnes, kdy automatizovan\u00e9 syst\u00e9my funguj\u00ed v glob\u00e1ln\u00edm m\u011b\u0159\u00edtku a nahrazuj\u00ed lidsk\u00e9 prost\u0159edn\u00edky. P\u0159\u00edkladem toho je spojen\u00ed mezi m\u00e9dii a zpravodajsk\u00fdmi slu\u017ebami, patrn\u00e9 z transformace americk\u00e9 rozhlasov\u00e9 a televizn\u00ed s\u00edt\u011b Columbia Broadcasting System (\u201eCBS\u201c) na vys\u00edlac\u00ed imp\u00e9rium pod veden\u00edm Williama S. Paleyho.<\/span><\/p>\n

Spojen\u00ed mezi m\u00e9dii a tajn\u00fdmi slu\u017ebami<\/span><\/h3>\n

Paleyho zku\u0161enosti s psychologick\u00fdmi operacemi b\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky, zejm\u00e9na jako vedouc\u00ed \u00da\u0159adu v\u00e1le\u010dn\u00fdch informac\u00ed (OWI) a \u0161\u00e9f rozhlasu v divizi psychologick\u00e9 v\u00e1lky OWI, v\u00fdznamn\u011b ovlivnily pov\u00e1le\u010dnou programovou strategii CBS, kter\u00e1 kombinovala z\u00e1bavu s jemn\u00fdmi manipula\u010dn\u00edmi technikami.<\/span><\/p>\n

Pod Paleyho veden\u00edm se CBS stala zn\u00e1mou jako \u201eTiffany Network\u201c, mistrn\u011b kombinuj\u00edc\u00ed z\u00e1bavu a soci\u00e1ln\u00ed kontrolu a nastavuj\u00edc\u00ed model pro modern\u00ed medi\u00e1ln\u00ed spole\u010dnosti, kter\u00e9 by se p\u0159izp\u016fsobily nov\u00fdm technologi\u00edm.<\/span><\/p>\n

Skand\u00e1l Payola z 50. let 20. stolet\u00ed pouk\u00e1zal na to, jak nahr\u00e1vac\u00ed spole\u010dnosti, v\u010detn\u011b Paley’s CBS Records, utv\u00e1\u0159ely ve\u0159ejn\u00e9 pov\u011bdom\u00ed prost\u0159ednictv\u00edm \u0159\u00edzen\u00fdch odhalen\u00ed a z\u00e1rove\u0148 udr\u017eovaly hlubok\u00e9 institucion\u00e1ln\u00ed vazby na vojensk\u00e9 a zpravodajsk\u00e9 s\u00edt\u011b.<\/span><\/p>\n

Spole\u010dnosti jako RCA, zalo\u017een\u00e9 v roce 1919 jako n\u00e1mo\u0159n\u00ed koordinovan\u00fd komunika\u010dn\u00ed monopol, expandovaly do vys\u00edl\u00e1n\u00ed, z\u00e1znam\u016f a spot\u0159ebn\u00ed elektroniky, p\u0159i\u010dem\u017e si udr\u017eely vazby na vojensk\u00e9 a zpravodajsk\u00e9 s\u00edt\u011b.<\/span><\/p>\n

Soci\u00e1ln\u00ed in\u017een\u00fdrstv\u00ed a glob\u00e1ln\u00ed konflikt<\/span><\/h3>\n

Zat\u00edmco historici typicky berou sv\u011btov\u00e9 v\u00e1lky jako individu\u00e1ln\u00ed konflikty, l\u00e9pe je ch\u00e1pou jako f\u00e1ze neust\u00e1l\u00e9ho roz\u0161i\u0159ov\u00e1n\u00ed mechanism\u016f soci\u00e1ln\u00ed kontroly. Prvn\u00ed sv\u011btov\u00e1 v\u00e1lka byla zrodem systematick\u00e9 koordinace mezi Hollywoodem a tajn\u00fdmi slu\u017ebami. B\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky byla tato spojen\u00ed formalizov\u00e1na prost\u0159ednictv\u00edm \u00da\u0159adu strategick\u00fdch slu\u017eeb (d\u00e1le jen \u201eOSS\u201c).<\/span><\/p>\n

V\u00fdvoj metod kulturn\u00ed kontroly byl sou\u010d\u00e1st\u00ed \u0161ir\u0161\u00edho syst\u00e9mu soci\u00e1ln\u00edho in\u017een\u00fdrstv\u00ed, kter\u00fd se roz\u0161i\u0159oval v dob\u00e1ch glob\u00e1ln\u00edho konfliktu, kdy sv\u011btov\u00e9 v\u00e1lky slou\u017eily jako ospravedln\u011bn\u00ed a testovac\u00ed p\u016fda pro st\u00e1le sofistikovan\u011bj\u0161\u00ed syst\u00e9my masov\u00e9 psychologick\u00e9 manipulace.<\/span><\/p>\n

Vojensk\u00e1 za\u0159\u00edzen\u00ed jako Lookout Mountain Air Force Station v Laurel Canyon slou\u017eila jako centra pro psychologickou v\u00e1lku, produkovala tajn\u00e9 filmy a udr\u017eovala vazby na vysok\u00e9 \u00farovni s hollywoodskou produkc\u00ed.<\/span><\/p>\n

V roce 1943 OSS vyty\u010dila svou strategii pro pou\u017eit\u00ed film\u016f jako zbran\u011b psychologick\u00e9 v\u00e1lky, p\u0159i\u010dem\u017e uznala jejich potenci\u00e1l stimulovat nebo odrazovat od akce a z\u00e1sadn\u011b zm\u011bnit ch\u00e1p\u00e1n\u00ed reality.<\/span><\/p>\n

Zapojen\u00ed z\u00e1bavn\u00edho pr\u016fmyslu do zpravodajsk\u00fdch operac\u00ed sah\u00e1 a\u017e do prvn\u00ed sv\u011btov\u00e9 v\u00e1lky. Mezi p\u0159\u00edklady pat\u0159\u00ed \u00fadajn\u00e1 spolupr\u00e1ce Harryho Houdiniho s britskou rozv\u011bdkou a filmy Charlieho Chaplina, kter\u00e9 byly zkoum\u00e1ny z hlediska jejich propagandistick\u00e9ho potenci\u00e1lu. B\u011bhem 2. sv\u011btov\u00e9 v\u00e1lky tato spojen\u00ed formalizovala OSS a vyvinula se v dne\u0161n\u00ed Entertainment Liaison Office, kter\u00e1 aktivn\u011b navrhuje po\u017eadovan\u00e1 t\u00e9mata vojensk\u00fdch film\u016f.<\/span><\/p>\n

Britsk\u00e1 inteligence a kontrola mysli<\/span><\/h3>\n

Britsk\u00e1 inteligence vyvinula metody k ovl\u00e1d\u00e1n\u00ed samotn\u00e9ho v\u011bdom\u00ed, p\u0159i\u010dem\u017e si uv\u011bdomila, \u017ee ovliv\u0148ov\u00e1n\u00ed p\u0159esv\u011bd\u010den\u00ed, tu\u017eeb a sv\u011bton\u00e1zor\u016f m\u016f\u017ee b\u00fdt trvalou formou kontroly, kter\u00e1 nav\u017edy zm\u011bn\u00ed soci\u00e1ln\u00ed in\u017een\u00fdrstv\u00ed.<\/span><\/p>\n

V roce 1914 byla zalo\u017eena instituce \u201eWellington House\u201c, kter\u00e1 se pozd\u011bji vyvinula v \u201eOdd\u011blen\u00ed informac\u00ed\u201c a nakonec \u201eMinisterstvo informac\u00ed\u201c a systematizovala masovou psychologickou manipulaci pomoc\u00ed nov\u00fdch princip\u016f.<\/span><\/p>\n

Tyto principy, kter\u00e9 zahrnovaly \u00fa\u010dinnost nep\u0159\u00edm\u00e9ho vlivu, emocion\u00e1ln\u00ed rezonanci a sd\u00edlen\u00ed peer-to-peer, se o stolet\u00ed pozd\u011bji staly z\u00e1kladn\u00edmi algoritmy platforem soci\u00e1ln\u00edch m\u00e9di\u00ed a spole\u010dnosti jako Facebook je pou\u017e\u00edvaj\u00ed dodnes.<\/span><\/p>\n

Tavistock\u016fv institut a psychologick\u00e1 v\u00e1lka<\/span><\/h3>\n

Klinika Tavistock, pozd\u011bji Tavistock Institute, sehr\u00e1la d\u016fle\u017eitou roli v rozvoji t\u011bchto princip\u016f prost\u0159ednictv\u00edm l\u00e9\u010dby voj\u00e1k\u016f s v\u00e1le\u010dn\u00fdmi neur\u00f3zami a v\u00fdzkumem traumat a skupinov\u00e9 psychologie.<\/span><\/p>\n

Dr. John Rawlings Rees a jeho kolegov\u00e9 z Tavistock Institute objevili, jak lze psychologick\u00e9 trauma vyu\u017e\u00edt k p\u0159etvo\u0159en\u00ed individu\u00e1ln\u00edho v\u011bdom\u00ed a cel\u00fdch spole\u010densk\u00fdch syst\u00e9m\u016f, a vyvinuli metody, jak utv\u00e1\u0159et nejen to, co lid\u00e9 vid\u00ed, ale tak\u00e9 to, jak oni vid\u00ed, \u017ee to bude interpretovat realitu.<\/span><\/p>\n

Pr\u00e1ce institutu uk\u00e1zala, jak lze psychickou zranitelnost vyu\u017e\u00edt ke zm\u011bn\u011b individu\u00e1ln\u00edho i skupinov\u00e9ho chov\u00e1n\u00ed. Nicm\u00e9n\u011b, jak poznamenal Stylman, vliv Tavistocku sah\u00e1 generace do minulosti:<\/span><\/p>\n

I kdy\u017e je Tavistock ve\u0159ejnosti z velk\u00e9 \u010d\u00e1sti nezn\u00e1m\u00fd, stal se jednou z nejvlivn\u011bj\u0161\u00edch organizac\u00ed p\u0159i utv\u00e1\u0159en\u00ed modern\u00edch metod soci\u00e1ln\u00ed kontroly. Zat\u00edmco v\u011bt\u0161ina lid\u00ed dnes Tavistock zn\u00e1 pouze d\u00edky ned\u00e1vn\u00fdm spor\u016fm o genderov\u011b potvrzuj\u00edc\u00ed p\u00e9\u010di, vliv institutu sah\u00e1 po generace a utv\u00e1\u0159\u00ed kulturn\u00ed narativy a soci\u00e1ln\u00ed zm\u011bny od jeho zalo\u017een\u00ed. Sou\u010dasn\u00e1 pr\u00e1ce \u00dastavu nen\u00ed anom\u00e1li\u00ed, ale sp\u00ed\u0161e pokra\u010dov\u00e1n\u00edm jeho dlouhodob\u00e9ho posl\u00e1n\u00ed p\u0159etv\u00e1\u0159et lidsk\u00e9 v\u011bdom\u00ed.<\/span><\/em><\/p>\n

Engineering Reality Part I: A Century of Cultural Control from Edison’s Monopolies to Algorithmic Manipulation, Joshua Stylman, 19. prosince 2024<\/span><\/p>\n

Kulturn\u00ed technologie prost\u0159ednictv\u00edm hudby<\/span><\/h3>\n

Vliv Tavistock Institute je evidentn\u00ed v jeho transformaci psychologick\u00fdch teori\u00ed v praktick\u00e9 n\u00e1stroje kulturn\u00edho in\u017een\u00fdrstv\u00ed, zejm\u00e9na prost\u0159ednictv\u00edm popul\u00e1rn\u00ed hudby a kultury ml\u00e1de\u017ee.<\/span><\/p>\n

Metody institutu byly nejprve testov\u00e1ny prost\u0159ednictv\u00edm hudby, p\u0159i\u010dem\u017e program jazzov\u00e9 diplomacie americk\u00e9ho ministerstva zahrani\u010d\u00ed v 50. a 60. letech demonstroval, jak mocensk\u00e1 centra ch\u00e1pala potenci\u00e1l hudby pro formov\u00e1n\u00ed kultury.<\/span><\/p>\n

Baronka Pannonica de Koenigswarter, \u010dlenka bankovn\u00ed dynastie Rothschild\u016f, se stala patronkou bebopov\u00fdch um\u011blc\u016f jako Thelonious Monk a Charlie Parker, co\u017e se \u010dasov\u011b shoduje s obdob\u00edm, kdy ministerstvo zahrani\u010d\u00ed a CIA aktivn\u011b vyu\u017e\u00edvaly jazz jako n\u00e1stroj kulturn\u00ed diplomacie.<\/span><\/p>\n

Zapojen\u00ed evropsk\u00e9 bankovn\u00ed aristokracie do \u00fadajn\u011b revolu\u010dn\u00edch hudebn\u00edch hnut\u00ed p\u0159edznamenalo vzorec instituc\u00ed koncipuj\u00edc\u00edch a podn\u011bcuj\u00edc\u00edch kulturn\u00ed hnut\u00ed, kter\u00e1, a\u010dkoliv vypadala organicky, byla ve skute\u010dnosti sou\u010d\u00e1st\u00ed systematick\u00e9ho programu kulturn\u00edho in\u017een\u00fdrstv\u00ed.<\/span><\/p>\n

(Pozn.: Stylman zkoumal pr\u00e1ci a vliv Tavistock Institute podrobn\u011bji ve\u00a0<\/span>druh\u00e9 \u010d\u00e1sti<\/span><\/a>\u00a0).<\/span><\/p>\n

Autor: Rhoda Wilson<\/em><\/p>\n<\/div>\n<\/div>\n

\n
\n

Zdroj<\/a><\/span><\/h3>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Mechanismus ovl\u00e1d\u00e1n\u00ed lid\u00ed prost\u0159ednictv\u00edm m\u00e9di\u00ed, film\u016f a hudby za\u010dal v roce 1908 spole\u010dnost\u00ed Thomas Edison’s…<\/p>\n","protected":false},"author":2,"featured_media":59586,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[1712,2320,158,2595],"_links":{"self":[{"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/posts\/69707"}],"collection":[{"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/comments?post=69707"}],"version-history":[{"count":0,"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/posts\/69707\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/media\/59586"}],"wp:attachment":[{"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/media?parent=69707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/categories?post=69707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.infokuryr.cz\/n\/wp-json\/wp\/v2\/tags?post=69707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}